My projects

• Customer: Provincial Council of Bizkaia
• Material: White stoneware, oak wood and bronze with black patina and milled.
• Size: 24x18x9 cm
• Year: 2006

Sculpture made up of two parts: on the stoneware part there is an “L”, for Lauaxeta and four cuts that bend in different directions to signify the four winds of the name itself.

On the bronze plaque appears his best known phrase “DANA EMON BEHAR JAKO MAITE DAN ASKATASUNARI”.

• Client: Bilbao Chamber of Commerce
• Material: Stoneware, oxidised iron and beech wood.
• Size: 21 x 15 x 6 cm
• Year: 2002

Open square burial stone in iron and stoneware. The three elements that define the Chamber of Commerce appear, as well as the concept of window dressing.

• Customer: BBVA
• Year: 2014
• Materials: Painted stoneware, oak stained wood
• Measurements: 190 x 190 x 70 mm

Sculptural theme in the form of a square burial stone in painted stoneware and wood, with an upper cut, in which three intertwining elements are placed, representing human relationships.

• Customer: Private individual
• Measurements: 1200 x 900 x 250 mm
• Materials: Oak wood and white stoneware
• Year: 2000

Memorial burial stone installed in a family pine grove in the Basque coastal town of Gorliz.

The stoneware symbolises the union of family and friends.

• Customer: Bautista furniture and decoration
• Material: Stained stoneware and Benge wood with Oak inlays.
• Size: 27 x 6 x 6 cm and 160 x 40 x 40 x 40 cm

This piece is a small scale reproduction of the 1.60m high sculpture that was made as a tribute to Mr. and Mrs. Bautista and can be seen in the atrium of their exhibition.

A numbered edition of this small-scale piece was made as a trophy-gift to Bautista mueble y decoración collaborators.

On the Benge wood base there are Oak inlays in the form of approaching lines, which signify the parallel lives of the couple being honoured.

There are also hollows that are a confirmation of the company and a look into the future.

In the upper head, textures are developed that recall the family’s fields of origin.

There are also three cuts in the lower part, which would be the three children.

• Client: D.F. Ruiz de Illa
• Measurements: 2000x1000x250 mm.
• Materials: White stoneware and painted wood.
• Year: 1999

Mural in which two blocks are joined together to represent the union and support of the family.

• Client: Bilbao Chamber of Commerce
• Material: White stoneware and engraved Mongoy wood
• Size: 21x21x6 cm
• Year: 2001

Square burial stone in which the wood creates a hollow as a chamber concept.

The stoneware “Triburu” represents commerce, industry and navigation, forming a propeller, the driving force of the economy.

• Client: Finance and Management Forum
• Material: Milled aluminium and ebony stained wood
• Size: 21×7,5×5 cm
• Year: 2007

Aluminium plaque in the shape of a star, implying the human character, in which 13 labyrinths appear, which lean on each other, and signify the 12 companies that make up the Forum. The circle of the burial stone is left open as an idea of extension to other companies. With a wooden support, which gives the appearance of solidity, and a hole at ⅔ height, giving the image of a lock that opens the door to the future.

• Client: Bilbao Chamber of Commerce
• Material: White stoneware and ebony stained wood.
• Size: 30x21x9 cm
• Year: 2008

Square burial stone, with reliefs that signify the different components of the economy and commerce and with a hollow in the shape of an arch, as a window to the future.

• Client: Bilbao Chamber of Commerce
• Material: Nickel-plated brass and ebony stained wood.
• Size: 30x21x9 cm
• Year: 2008

Sculpture with three open plates, representing the shop window, through which the front rhombic labyrinth symbolism is completed with the rear one.

• Client: LARES (Spanish Federation of Associations of Elderly People’s Homes)
• Material: Silver plated brass and ebony stained wood.
• Size: 27x10x6,5 cm
• Year: 2007

This sculpture is based on two concepts, which are constructive, as an element of consolidation of the federation, and the use of its anagram as an integrating element.

The different coloured woods indicate the differentiation of the different associations, which are united by a common goal.